REVIEW: THE HUNCHBACK OF NOTRE DAME BY RYAN M. LUÉVANO Hunchback has arrived—La Mirada Theatre provides L.A. audiences with the...
‘CURSED CHILD’ ENCHANTS WITH HEART AND MAGIC
0 CommentsREVIEW: HARRY POTTER AND THE CURSED CHILD BY RYAN M. LUEVANO The long-awaited Los Angeles opening of the play Harry…
FAKE IT: OVERSTUFFED AND UNDERCOOKED FARCE
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A ROYAL ROMP AT THE AHMANSON
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GAYS, GUTS, AND GLAMOR AT LA CAGE AUX FOLLES
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REVIEW: BACK TO THE FUTURE THE MUSICAL BY RYAN M. LUEVANO The Olivier Award-winning Best New Musical, Back to the…
REVEW: THE FANTASTICKS BY RYAN M. LUÉVANO The Fantasticks, music by Harvey Schmidt and lyrics by Tom Jones, as endured...
REVIEW: MUTUAL PHILANTHROPY BY RYAN M. LUÉVANO It’s a shame that people don’t attend more plays than they do movies...
REVIEW: NEXT TO NORMAL BY RYAN M. LUEVANO In 2008 the concept of the musical Next To Normal about a mother...
REVIEW: MAESTRO BY RYAN M. LUÉVANO The name Leonard Bernstein may not be a household name today, but 40 years...
REVIEW: FUNNY GIRL LONDON CAST RECORDING BY RYAN M. LUÉVANO Funny Girl, which first opened on Broadway on March 26th...
REVIEW: LITTLE SHOP OF HORRORS BY RYAN M. LUÉVANO The 80s musical Little Shop of Horrors, which these days is...
REVIEW: BLUEPRINT FOR PARADISE BY RYAN M LUÉVANO It’s frightening when a work of fiction bears an all too familiar...
REVIEW: HELLO DOLLY BY RYAN M. LUÉVANO 3D Theatricals proves that the musical Hello Dolly is still going strong long...
REVIEW: RECORDED IN HOLLYWOOD BY RYAN M. LUÉVANO The name John Dolphin is far from a household name and what...
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